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  • Songs Marcel Khalife
  • Composed by: Marcel Khalife
  • Biography
  • Scores of (8)
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  •   Ahmed El Bidaoui
      Ahmad Alhefnawi
      Ahmad Fouad Hasan
      Adeeb Edayekh
      Um Kalthum
      Elie Shwery
      Trio Joubran
      Sheikh Imam
      Beihdja Rahal
      George Wassouf
      Julia Boutrus
      Hamam Khayri
      Dawood Husni
      Riyad Sunbati
      Zakariya Ahmad
      Zaki Naseef
      Ziyad Rahbani
      Sami Shawa
      Soad Muhamad
      Samira Tawfiq
      Sayyed Darwish
      Sayyed Makkawi
      Charbel Rouhana
      Saleh Abdelhai
      Sabah Fakhri
      Sabri Mdallal
      Tony Hanna
      Abdel Halim Hafez
      Abdel Ghani Sayed
      Abdelhadi Bel Khayat
      Abdelwahab Doukkali
      Abdallah El Kheligh
      Aziza Jalal
      Afaf Radi
      Fayza Ahmad
      Farid Al-atrash
      Fahd Ballan
      Karem Mahmoud
      Kazem Alsaher
      Laure Daccache
      Laila Murad
      Majida El Roumi
      Marcel Khalife
      Marie Jubran
      Mohamed Elhayani
      Muhamad Khayri
      Muhamad Abdel Mutaleb
      Muhamad Abdel Wahab
      Muhamad Fawzi
      Muhamad Qandeel
      Mahmud Darwish
      Melhem Barakat
      Mayadah Hinawi
      Nathem El Ghazali
      Najat El Saghira
      Najat Ali
      Nizar Qabbani
      Nasri Shamseddine
      Naima Samih
      Nur Elhuda
      Huda Sultan
      Wadi Safi

     Ahmad Al Arabi 
     Arabic Coffeepot 
     At The Border 
     Concerto Al Andalus 
     Dreamy Sunrise 
     Fall Of The Moon 
     God Save Us From The Future 
     Jadal Oud Duo 
     Magic Carpet 
     Marcel Khalife 
     Ode To A Homeland 
     Peace Be With You 
     Promises of the storm 
     Promises of the storm oud 
     Rain Songs 
     Stripped bare 
     Summer Nights Dream 
     The Bridge 
     Where To Enter Homeland From 

         General Statstics 

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    Marcel Khalife
    Birth Date: 10 Jun 1950
    Country: Lebanon

    Academy of Boulogne Billancourt Orchestra, The San Francisco Chamber Orchestra, the Orchestra of the city of Tunis, and the Absolute Ensemble.

    "I realize myself more in music than in singing. This tendency is evident in several of my works, the last of which was the 'Oud Concerto,'"

    "When the text is absent, I find myself more comfortable in composing music, although this need not suggest that I am ignoring the song, which is essential to me. Rather, my real interest lies in musical composition. This was present in early compositions like Rita, Aaras (Weddings) and Tusbahouna ala Watan (Ode to Homeland). Each of these was a musical composition and not just music written for songs. In these works, whenever the lyrics stop the music continues; and whenever I feel the lyrics are incomplete, they are completed by music."

    Banishment from Tunisia

    Three times (1996, 1999 and 2003), he faced criminal prosecution for his song I am Joseph, O Father, written by the Palestinian poet Mahmoud Darwish. Khalife was accused of insulting religious values by including a two-line verse from a chapter of the Qur'an.

    Khalifa recorded the song in his 1995 album "The Arabic Coffee Pot" that was based on a 1992 poem of the prominent Palestinian poet, Mahmoud Darwish. The poem adapted this verse from the story of Yousef (Joseph) in the Qur'an : "O my father, I saw eleven stars and the sun and the moon bowing before me in homage." It tells the story of how Joseph's brothers were jealous of him because he was handsome and kind, his brothers don't like him. The story reflected the suffering of the Palestinian people.

    In 1999, the case was brought to a court by the newly appointed investigating judge, Abdel Rahman Shihab, who reproached Marcel of "insulting religious values by using a verse from the chapter of Joseph from the Qur'an in a song." Marcel faced six months to three years imprisonment for publicly insulting religion (article 474 of the Lebanon's penal code, six months to three years in prison) and blasphemy (article 473 of the penal code, one month to one year in prison).

    Senior Sunni Muslim clerics in Lebanon ruled that singing verses from the Qur'an was "absolutely banned and not accepted." The highest Sunni Muslim religious authority in Lebanon, Grand Mufti Sheikh Muhamed Rashid Qabbani, has maintained repeatedly that Khalifa is guilty of blasphemy for singing a verse from the Qur'an. Sheikh Qabbani said : "There is a limit to freedom of expression. One limit is that it should not infringe on people's religious beliefs."

    Demonstrations of solidarity came from many sides, intellectuals, human rights organisations and ordinary people. A meeting were held in Beirut where 2000 people sang altogether the song in trial. Marcel Khalife even received the support of Sheikh Mohammed Hussein Fadlallah, a Shi'ite theologist. The famous Lebanese writer Elias Khoury harshly criticized the trial, as did Mahmoud Darwish, who said :

    "Fundamentalism is in the process of stifling culture and creation in the Arab world, I say it is shameful. I am ashamed. We should all be ashamed. If Marcel Khalifa is found guilty, it will be an insult to culture."

    Ghada Abu Karrum, the judge, rejected the demand of the prosecutor, and found him innocent of the charge of degrading Islam. As stated in the judgment :

    "[...] Although, in the first place, it is not for this court in any circumstance to indulge in discussing whether the action of the defendant mentioned above constitutes a deviation from Islamic tradition and its prohibitions, it is necessary to note that human societies have always known - since the advent of religions until this day - forms of behavior that touched the various aspects of life while not always observing all religious rules or abiding by them without that necessarily forming a desecration of the religious sanctity of the texts from which these rules have emerged."

    " Hence, it is clear from listening to the tape and CD at hand that the defendant has chanted the poem in gravity and composure that reveal a deep perception of the humanism expressed in the poem ornamented with the holy phrase. [He is] committed in his expression - in form and content - to a performance that bears no infringement on the holiness of the Qur'anic text, or offense to it or its content, nor reveal any intent to incite disparagement of it explicitly or implicitly, neither by words, meaning, nor music. "


    He wrote also Samaa.

    2005.11.14: Lincoln Theatre Washington DC USA 2004.01.12: Kennedy Center Washington DC USA


    "Every serious and sincere musical work reflects revolution, the artist is by nature a rebel ; one must be rebellious with his writing and creative projects."

    "Freedom, democracy and bread are the things we lack in our region"


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